THE DRIVER ERA // EVENTIM APOLLO, LONDON

THE DRIVER ERA LIVE AT LONDON’S EVENTIM APOLLO

★★★★☆ (4/5)

THE DRIVER ERA PERFORMING AT LONDON’S EVENTIM APOLLO
PHOTOCREDIT: DANIELLE VAN ACKER

The night kicked off with excitement as the line to get into the venue stretched down Queen Caroline Street, a street just beside the London Apollo. Fans were dressed to impress, many sporting cowboy hats and their most stylish outfits, ready for an unforgettable evening.

Opening the night was Your Favourite Color, who set the tone with an energetic performance that had the crowd clapping along from the start. It was clear how grateful and thrilled they were to be on stage, playfully waving to the audience, twirling the mic stand and having a good time.

By the time Almost Monday took the stage as the second support act, the venue was packed. Their laid-back style, with cool hair, glasses, and stylish outfits, complemented their catchy tunes, keeping the momentum strong.

It was then time for The Driver Era. They started with an unreleased song called “Touch," with the curtains still down which created a lot of tension for the crowd as they tried to spot them through the light white sheet.

The American music duo that consisted of Ross and Rocky Lynch played a mix of their old favourites and some new unreleased tracks with fans eagerly throwing cowboy hats for them to wear, a few t-shirts had also landed on stage.

In a special night highlight, Ross Lynch chose a lucky fan from the crowd to dance with him on stage, adding a personal and heartwarming moment to the performance.

The night reached its peak with their final song, "A Kiss," which was delivered with such energy that it had the entire venue buzzing. As they ended with a bang of confetti, The Driver Era left the stage, closing out a night that was truly unforgettable for London.

Overall, it was an incredible evening filled with great music, dazzling effects, and unforgettable moments that left fans eagerly waiting for the next time The Driver Era returns.

REVIEW + PHOTOS BY: DANIELLE VAN ACKER

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