COURTNEY BARNETT // O2 ACADEMY, GLASGOW

Even on a dreary Tuesday, Courtney Barnett successfully lights up the O2 with her excellent songcraft and lyrical wordplay.

PICTURE BY STUART WESTWOOD

PICTURE BY STUART WESTWOOD

★★★★☆

Courtney Barnett’s music is hard to pin down. Though capable of sprawling epics full of funny droll lyrical observations, she can also be strikingly direct. She comes to the second last show of her long tour for her heavy, and explorative, new album Tell Me How You Really Feel yet shows no sign of tiring as she showcases all the intricacies of her charmingly human and relatable indie rock.

She is supported tonight by fellow Australian Laura Jean. Laura Jean is an enigmatic performer who uses beautiful wailing saxophone and psychedelic dream folk to win over the Glasgow crowd during a 35-minute set.

Courtney Barnett takes to the stage and opens with the terse Hopefulessness. The shuddering crescendo of feedback at the climax of Hopefulessness and the punk rock edge to City Looks Pretty illustrate the muscle and verve Courtney’s band bring to the live show.

The early part of her set continues in this vein focussing on highlights from her most recent record, with the powerful kinetic energy of I’m Not Your Mother, I’m Not Your Bitch eliciting fervent applause. Soon, the pace of the set is changed, as she introduces new song Small Talk, which has a slight country feel thanks to some honky tonk piano work.

Throughout the set Courtney’s vocals are raw and veer from talking to singing to shouting. However, they always fit the style of the song and help to convey the human nature of her words. Mid set highlight Depreston is full of comically mundane and melancholic musings on moving home, whilst Kim’s Caravan explores damage to the environment in a sad and despairing manner.

There is crowd surfing and moshing towards the end of the show as Courtney plays Charity. Afterwards the audience demand that Courtney plays an encore and she repays them by playing a solo cover of Everything Is Free by Gillian Welch. This is a rather haunting song with deceptive lyrics that rail against music piracy. She finishes with the punchy sound and antagonistic lyrics of Pedestrian At Best, again illustrating her variety. All in all, Courtney Barnett translates her sound seamlessly to fill the cavernous 02 Academy, leaving the crowd in no doubt about her supreme talent.

COURTNEY BARNETT | UPCOMING DATES:

REVIEW BY: BEN LAMONT
PHOTOS BY: STUART WESTWOOD PHOTOGRAPHY

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